Quem segue o FYMS sabe que somos verdadeiros fãs dos You Can't Win, Charlie Brown...
Seja pela música, seja pela sua presença como pela sua simpatia, a banda conquistou um lugar no nosso coração e é por isso que cada conversa com eles é um verdadeiro gosto!
No meio do jardim da Estrela, conversámos com o João Gil e o Salvador Menezes, dois dos seis membros dos YCWCB, para falarmos sobre os diversos temas, incluindo a sua participação no Fusing Culture Experience.
Sabes aqueles discos que não consegues parar de ouvir?
Isso vai acontecer comDiffraction/Refraction, editado através da Pataca Discos.
You Can't Win, Charlie Brown Diffraction/Refraction
Jan 20, 2014
O ano começou agora mas tenho a certeza que este segundo disco dos You Can't Win, Charlie Brown me vai acompanhar todo o ano como um dos melhores discos de 2014.
Eles não fazem as coisas por menos.
Diffraction/Refraction é poderoso, envolvente e com uma melodia suave que fica nas nossas mentes durante dias.
É um disco que se supera a si próprio, supera o Chromatic mas não foge aos YCWCB.
Ora... É um disco que precisa de ser ouvido e assimilado porque de cada vez vamos descobrir qualquer coisa nova, diferente, peculiar, um pormenor que não tínhamos ouvido antes.
É um disco que precisa de tempo. Não por ser mau mas por ser extraordinariamente único. Precisa de ser ouvido e assimilado. Diffraction/Refraction é, acima de tudo, uma companhia, uma presença constante. Um daqueles discos que serve em qualquer ocasião porque se enquadra sempre.
As melodias suaves, os instrumentos intensificados numa e noutra altura, a envolvência das vozes tão estranhamente exóticas - como só os YCWCB, conseguem fazer.
Já era uma apaixonada pelos sons, pela particularidade e especificidade do trabalho dos YCWCB.
Depois de Diffraction/Refraction, posso dizer que me voltei a apaixonar.
Os YCWCB dão-nos uma outra perspectiva das coisas, são capazes de nos mudar e de nos criar uma aura especial. Eles envolvem cada pessoa, cada instrumento, cada melodia e transformam-nos.
É um disco promissor que mostra a qualidade infinita desta banda e da sua capacidade de mutação e transformação sem nunca perderem a sua alma.
Earlier this month, we released the amazing news: You Can't Win, Charlie Brown announced a new record Diffraction/Refraction - read here.
A few days ago, they release the first single Be My World taken from their upcoming work.
The new record is going to be released next January. Diffraction/Refraction was mixed by Luís Nunes (Walter Benjamin) and mastered by Rafael Toral.
Be My World reproduces, in little more than 4 minutes, all the energy, sound and atmosphere of the new record.
It's a powerful, involving, soft-melodic song. The worst? This great song gets stuck in your head for days.
The video is really simple, pretty, absolutely catchy and really connects with the song - really sums the band and their new direction whose concept and production is responsibility of Tomás Sousa, YCWCB drummer.
Hot news: You Can't Win, Charlie Brown announce the first live presentation of the upcoming Diffraction/Refraction.
The date is set on January 18th, at CCB, in Lisboa and the tickets goes from 5€ to 15€, with several discounts when purchased at CCB.
The Portuguese You Can't Win, Charlie Brown announce the release of their second record - Diffraction/Refraction.
The Indie pop band is composed by Afonso Cabral, Salvador Menezes, João Gil, Tomás Sousa, Luís Costa and David Santos(or Noiserv).
After the release of their debut EP in 2010 and their first album Chromatic in 2011, they have now announced the release of their second album Diffraction/Refraction set for the next January 2014, through Pataca Discos.
Keep in touch with their Facebook and website for further information.
The Portuguese band You Can’t Win, Charlie Brown (or YCWCB) made a gig at a beautiful old cinema in Lisbon – Cinema São Jorge. The main objective of this show was to raise funds so the band can accomplish their dream and be able to perform on the very known US festival South By Southwest (SXSW), in Texas next March 13.
On a small but full cosy old cinema room, the band gave an amazing show without big scenarios or huge visual effects, focusing mainly on small individual stages, with several instruments and some interesting neon colors contrasting with the basic colors on the top of each stage.
The band was responsible for the entire production. The colorful stages were created by João Paulo Feliciano, co-owner of the Patacas label (with his brother Mário Feliciano).
All the scenarios followed the songs, creating a harmonious environment, becoming even more exciting to see them.
One of the best things of the night was exactly that, their connection as people and as a band. They are long-time friends and that was clear on every smile, every laugh, every look and every story they shared. And You Can’t Win, Charlie Brown didn’t simple show up, play and leave like it was an awkward job to do. They tried to connect with people. Their honesty background appeared along the show, and it was obvious how six guys (from who we would expect something really messy) turned out to be so simple, so passionately dedicated and so full of expectations … They overcome themselves, what I’ve seen on that show was bigger than a three-year old band. YCWCB are like that – honest – and that reflects on everything they do.
The band is composed by a six multi-task band – Afonso Cabral, Salvador Menezes, David Santos (Noiserv), Tomás Sousa, Luís Costa and João Gil – where everyone plays almost everything. But this show also counted with a very special guest appearance.
Before the show the expectations were high but “The pressure was much bigger for the logistic involved on the stages, lights and the reason behind the show” said Luís Costa (usually on the guitars). According to him the only ritual the band has before coming to stage is the traditional “Eat fast, we are already late!” added with humor.
The show started a bit after 10 pm, the band’s first thought was “There’s really A LOT of people!”
The first song was An Ending – curiously the last of their album Chromatic – making a slow and calm start with a beautiful piano introduction and oddly amazing arrangements.
Along the night the show included incredible vocal interpretations by Afonso, Salvador and David (Noiserv) singing and performing great songs like Until December, I’ve Been Lost or A While Can Be A Long Time. With João running from guitars to keyboards, Afonso to the guitars and funny instrumental swaps.
Calm moments with Sad Song and Glimpse didn’t disturb the joyful, enthusiastic and happy spirit on the colorful stage, contributing to a very festive night.
The young band dared to play a Leonard Cohen’s classic – Who By Fire – showing how graceful and curious YCWCB can be, exceeding their own limits.
PAUS – the special guest appearance, or at least the Siamese drums section performed by the huge Hélio Morais and Joaquim Albergaria – also contributed for the festive feeling.
They performed Deixa-me Ser – a PAUS original – and Song Worm. The eight artists didn’t mess up a bit and we were able to see one of the best moments of the night, without missing kind compliments and supporting words from PAUS.
I want to highlight Tomás performance with the PAUS’ drummers. It was obvious his contagious happiness for all the good reasons.
Playing almost the entire Chromatic, the band played Sort Of from their first self-titled EP before a very small break.
You Can’t Win, Charlie Brown left the stage returning minutes after to conclude brilliantly the show with three more songs.
But there was time for a joke from Afonso saying “No one gets fooled by this encore stories anymore. Wow, we’re back… Surprise!”
The Song Below started the encore with Afonso on the piano and Luís following up on the guitar, introducing the new Medicine from their EP 3.33, including the return of the rest of the band.
The gig ended with the strong and known Over The Sun/Under The Water inviting back to stage their guests PAUS, who ended amazingly cool with all the audience clapping, singing, dancing and celebrating the great night they had.
At the end of the show, the band was “euphoric, and we still are! It was probably our best end of concert ever, thanks to PAUS!”
Many people were able to congratulate them and support personally the band for their success in Texas. About it, Luís said “I don’t know how to answer this without sounding any cliché, but the public was incredible… Since we enter the stage - being probably our biggest standing ovation we had so far – until the apotheotic end with everyone standing and dancing” he also added that the people’s feedback was “excellent, not only on the direct contact after the show, but also from messages added on our Facebook along the days. We have the best fans in the world!”
You Can't Win,Charlie Brown are absolutely part of the Portuguese music future.
Rating: 5/5
Special thanksto Diana Pereira for the videos, Raquel Lains, Luís Costa, You Can't Win,Charlie Brown and Pedro Figueiredo and Rui M Leal for the photographs above.
Discover with this funny and relaxed interview how did everything started, their adventure to SXSW, what they think about music and much more.
Fuck Yeah Music Stories:Hi! First of all, we would like to know what's the story behind the name? You Can't Win, Charlie Brown - Salvador: Every band needs a name so people can identify them and since we were appearing on the album Novos Talentos FNAC, we needed one too. We used to rehearse in Afonso’s home rehearsal studio and there were several books. You can’t win, Charlie Brown was one of them. We looked at it and we thought it made perfect sense.
FYMS: We know it was Salvador and Afonso who actually started and then came up the opportunity to join other bands. How did it all happen? YCWCB - S: Yes, sort of. Luís Costa asked Afonso about the idea of starting a project with him, since they were both writing songs on their own. Afonso knew I was doing the same and asked me about it. And then we met up to arrange the songs each one of us had. After that we decided to invite David to join the band and he said yes and the band was formed. João and Tomás joined later but the truth is they were always present. Initially, our idea of the band was something where we could invite different people to participate. At the end it wasn't like that. We already knew them because Afonso and I had already formed a band with them. We have known each other for years. We needed people for the band and it is obvious that we invited those we know well and like working with.
FYMS: How did you get the opportunity of recording an EP with Optimus Discos? YCWCB - S: It was an invitation from Henrique Amaro. It was a great way of advertising.
FYMS: Did he have any kind of influence during the process? Or did you already have everything planned before? YCWCB - S: He didn’t have any influence. As a matter of fact, it was also Henrique who invited us to participate in the album Novos Talentos FNAC without even listening to any song. He had confidence in us. Apparently, he trusted the band and he just said, “Choose the song you want”. The same thing happened when we did the EP.
FYMS: So, basically, you can say the EP was your launching pad. YCWCB - S: It was more thanks to the Novos Talentos project by FNAC. It all started there. We were also asked by Fernando Alvim to participate in the Termómetro music festival and we got the third place. YCWCB - João: All that happened with the original formation of the band. YCWCB - S: By that time we were still experimenting. There was a violinist that didn't stay in the band and then when João and Tomás came we felt that we were complete. It was like reinventing the wheel.
FYMS:Which bands or artists influenced you while working on your album Chromatic? YCWCB - J: We are six members who share the same tastes and at the same time we also like completely different things. YCWCB - S: It is obvious that we have some in common, because if we didn’t then we wouldn’t be making music together, I think.
Each one of us has been influenced in different ways. Like João said, some are the same and some are completely different. That is why it is difficult to answer.
FYMS: Couldn’t you give us some names? Or a name? YCWCB - J: I can tell you one we all love and it is Radiohead. I know it can be quite obvious. It must be 500 million people's favorite band too but it is one we have in common. YCWCB - S: We can’t say a band or an artist. It is almost like saying we copied that band. It's not copying but, more and more, I believe we start being influenced the moment we start listening to music as children. As bad as those songs could be, they are experiences that stay with us forever and as our musical taste evolves, we realize whether they were good or bad.
FYMS: Why the name Chromatic? YCWCB - S: The name came up because we thought Chromatic made sense, since it is an album that has different colors. We think each song of the album has its own atmosphere but as a whole they create an album that can be listened from beginning to end. And it was more because of that diversity that we decided to use that name. Finding a one-word name was one of the premises because the name of our band was already too long. So we had to find a word that was a synonym for the album and Chromatic was the one we came up with.
FYMS: While doing the album, we know you worked with Mário Feliciano from Real Combo Lisbonense. What could you tell us about that? YCWCB - S: By that time we were already 6 members. Mário went to see us and apparently he liked the band a lot. He sent us an email saying he owned a recording studio with his brother, and that he would like to record our first album which we agreed. We did our first album and he did his first album production. The conditions were great and I think it was a good experience for both the band and the producer. And it was good working with him. YCWCB - J: He has the most amazing recording studio in Portugal, I think. At least compared to the ones I have seen so far. They have a lot of old instruments. It’s a place where you feel good the moment you get there. There are studios that make you want to leave as soon as you arrive. That doesn’t happen in this one. It’s a place where we feel good. I think that also influences the recording process. Perhaps some songs took a different turn because of the instruments that were available.
FYMS:If you had the chance to work with a band or a Portuguese artist, who would you like to work with? YCWCB - J: I think it's a good time to mention Paus. YCWCB - S: Yes, now it makes sense to talk about them. They’re a band we all like very much and we will also be playing with this great Portuguese band on February 29th, at São Jorge Theater. Not exactly with Paus but with their Siamese drum set.They are a great band we are going to be working with now. There are several bands we like- some are good Portuguese bands that are coming up and some that already existed. We also have in Pataca publishing house two bands that we know very well, Julie and the Carjackers and Walter Benjamin. Even Márcia, who participated in the album. YCWCB - J: I am thinking about some artists but it would be ungrateful to mention ones and not the others. They are so much that… YCWCB - S: Our band is very open to new suggestions and if there is a chance, we'll always try to do something that can please both the bands and the people.
FYMS: But we read Blitz a lot, which is the most acknowledged Portuguese magazine. And besides the Optimus Discos fascicle, it doesn't have a big impact in Portuguese music. YCWCB - S: We are a recent band that just released an album in 2011. I think a band is only taken seriously after releasing an album. And since we only have one and it is recent, we're not famous enough to make people talk about us.
FYMS: From my experience, I started discovering more bands through the blog. Someone told me YCWCB were very talented. YCWCB - J: Nowadays, the Internet is the best way to reach people. It is faster to reach 10 thousand people through Facebook than appearing 10 seconds on TV. YCWCB - S: And probably we wouldn't be reaching our target audience through TV.
FYMS: Following up the question about Portuguese artists. We wanted to know if there is any international band you would like to work with. Besides the obvious one. YCWCB - Afonso: I think Paus is obvious! But speaking about international artists, I don’t know. I would like to work together with so many bands. I’m trying to remember bands I’ve been listening to but they’re all dead.
FYMS: If you could bring someone back to life who would it be? YCWCB - A: I think it would be Nick Drake. I would work with him and then he could go back.
FYMS: What do you think about music made in Portugal? YCWCB - A: I think it’s going through a great period right now, excellent. These last years, especially on 2010 and 2011, a lot of new things have appeared. I don't remember a year with so many album releases. Good albums. We already talked about Paus and also Julie (and the Carjackers) album, that was released some months ago. Still related to Pataca, there is also Márcia’s album that was very good. B Fachada’s album too.
FYMS:How was it to work with an artist such as Márcia? YCWCB - S: It was very easy. We already knew her and she also knew the studio where we recorded. She went a couple times so we invited her and immediately she said yes. It was quite easy, it was just a matter of scheduling a time to meet.
FYMS: So, she didn’t participate in the songwriting process. YCWCB - A: No, the song already existed. YCWCB - S: We just thought it made sense to have a feminine voice in that song. We were lacking that kind of voice and we thought Márcia was the obvious solution. YCWCB - A: Mainly because of her voice and the music she does. And besides it was also because it was easy to record at the same publishing house and at the same studio so it was like family.
FYMS: How was it to play at English stages? YCWCB - S: It was amazing. We never expected much. Well, I speak for myself. I always think there will be a few guys and our manager. But 90% of the times – we had a very small audience at a concert once – they exceed our expectations. YCWCB - J: Even the smallest ended up to be an interesting concert. At least I have good memories from that night. YCWCB - S: Apparently artists like Amy Winehouse and Blur had already performed at that place.
In a place where concerts happen every day, it’s normal to have an off day once in a while. YCWCB - A: It was awesome. We arrived there thinking it would be empty. Or that maybe people aren't there to see us but the truth is, most of the times people stay at the end and they’re entertained. People were singing Over The Sun/Under The Water at the last concert we did. We were absolutely surprised. YCWCB - S: We had a full house at The Great Escape music festival in Brighton. Even more than the main artists had.
FYMS:Is the English audience different than the Portuguese? When international artists arrive, they say Portuguese audience is unique. What's the difference? YCWCB - J: I had the feeling they were more attentive. I couldn't hear the chatting. At Music Box, for instance – which is one of the places where I like to play the most because I’m right next to the people – there is always noise. At Lock Tavern (London), the first place we played, I had the feeling people didn't talk. When we were playing people were just listening. When we stopped, they started talking and then when we started again, they were silent. That doesn’t mean it’s better.
FYMS: Perhaps the place was also a bit different… YCWCB - S: Exactly. Like you said, maybe Music Box isn’t the best example. At São Luís theater, people were quiet. It always has to do with the place. David Byrne has a video on TED where he talks about that, how architecture influences music. I think it all has to do with the place your playing and who you’re playing for. Perhaps in each place you’ll have a different audience. YCWCB - A: What I found curious about the audience was that there were a lot more people talking with us after the shows than here. We noticed that people there thought we were something different.
(Afonso, Salvador and João)
FYMS:Is there any song you think, “I wish I had written this”? YCWCB - A: It happens every day. It never happened to me with a whole song, but small things, certain ideas or certain ways to arrange songs… YCWCB - J: I’ve had some difficult times in my life because of that. Being upset thinking why didn’t I do this. This is so simple, so pretty and I never thought of that. YCWCB - S: I have a problem with that because I can’t think like that. If something like that crosses my mind I immediately think I wouldn’t be capable of writing that. I think each person has its own way of writing which ends up being characteristic of that person. And you’ll never have that idea in your life. That’s why this thought could eventually cross my mind but the truth is I know I couldn’t have written that.
FYMS:So, music is personal, from each one… YCWCB - S: Always.
FYMS:Because there are artists that sing songs that were written by others. YCWCB - A: That also happens. Perhaps it is more personal to the person who wrote it than to the person who sings it. These are completely different things. When we say music is personal, at least for me, it has to do more with the songwriter than with the singer, most of the time. Just because it’s personal it doesn’t mean it biographical. It only means that it comes from than person and it could only be that way.
FYMS: You will be playing at South By Southwest music festival in Austin, Texas. How did that opportunity arise? YCWCB - A: You have to apply to go and then they say which bands were selected. We were chosen in the second round. We sent the application form and never thought about that anymore. Then we knew we had been selected and got really excited. YCWCB - S: As a matter of fact, I have a curious story about my boss. Last year, I started working with him and when things with the band started developing he told me, “Next year you’ll be playing in Texas” and we both started laughing. At a certain point I ended up telling him I was actually going to play in Texas. It was curious that he said that as a joke and it ended up happening. No one was expecting it.
FYMS: Despite that, we heard there were some obstacles. How are you planning to overcome them? YCWCB - A: I said we got very excited. That lasted 5 minutes. Now we have to turn this into reality. We’ve been looking for support since then and we're still looking in different places. YCWCB - S: We are 6. Each ticket to Texas costs more than a thousand Euros if we buy them now. If we buy them later they will be even more expensive. So that’s already 6 or 7 thousand Euros. And then there is also the work visa, renting the equipment and all that stuff. At the end, it costs a lot of money. We all gathered and agreed to find a solution, because things are complicated and finding support nowadays isn’t easy. We came up with this crowdfunding idea that is working pretty well. And I hope it keeps going until the day comes.
FYMS:And you have a concert scheduled at São Jorge Theater. YCWCB - A: Yes, it’s all part of the same. But we didn't want to ask people to help us with money. I don’t like using the expression “ask for” because we’re not properly asking. We are asking for help, yes, but there are “rewards”. It's hard for us to pay the trip to Texas, but things are difficult for the rest of the people too. That’s why we are giving a concert and we will give tickets according to people’s donations. We also recorded some songs for an EP and some posters. We have several things to offer according to what people give us.
FYMS:I remember last year there was an international band that cancelled their tour in Europe because they didn’t have the money to travel. YCWCB - A: There are specific websites for that. We did it by our own means. It isn't exactly an innovative idea. I don’t remember anyone doing anything like that in Portugal. YCWCB - S: I think it has been done before. But I can’t remember who did it. YCWCB - A: It’s not exactly the same thing but They’re Heading West are a band formed by Francisca Cortesão, João Correia, from Julie and the Carjackers, Mariana Ricardo and Sérgio Nascimento. They also give some concerts at Teatro da Barraca, always inviting a band, and we were one of them. The money from those concerts was used to pay trips to the US, to give concerts. So, it’s more or less the same idea but it's used differently. That's the reason for the concert, the songs, the posters, the videoclip... We know we have a small window of opportunity.
FYMS: Now complete these sentences... a)One Day... YCWCB - A: I won’t have a desire for a cigarette. b) The best thing people can say about me... YCWCB - S: Good things. These guys are very handsome and they all have a very nice beard. YCWCB - A:“Afonso, you can smoke, it won’t do you no harm.” Or That they (people) would like to have the same beards. c) And the worst... YCWCB - S: Bad things. YCWCB - J: Shave that beard and mustache, you ugly. YCWCB - S: I think we would stop having an audience if we get on stage one day without drooling. d) In ten years... YCWCB - J: Chromatic will be the worst of our ten albums.
FYMS: What would you tell to FYMS readers? YCWCB - A: Hi! How are you? YCWCB - S: If you made it and read the whole interview, Congratulations! YCWCB - A: If you held on until the end, congratulations and show up at São Jorge theater.
Special thanksto You Can't Win, Charlie Brown, to Afonso, Salvador and João who got the time to meet us, Raquel Lains, Diana Pereira for assisting on the Translating process and all the artists above.
You Can't Win, Charlie Brown is a Portuguese Indie pop band created in early 2009 by Afonso Cabral, Salvador Menezes, João Gil and Luís Costa but later added David Santos (Noiserv) to the band members.
In February 2010, through Optimus Discos the released their self-titled and debut EP, with 6 songs remembering artists like Grizzly Bear or Bon Iver.
That EP was incredibly well received by local critics and online, adding to their live performances Tomás Sousa and João Gil.
Now with 6 members, You Can't Win, Charlie Brown or YCWCB start to work on their first album.
A few months later, on May 2011, they publish Chromatic, released by Patacas Discos.
They are currently promoting their debut album, Over The Sun/Under The Water is a single from that album and the video was published on Youtube on April 13, 2011.
"I'll be found
And around over the sun
Under the water
Don't hide over the trophies"
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